I started playing violin at the age of four in Sudbury, Ontario. According to my mother, I chose the violin myself after watching local symphony broadcasts and confidently identifying instruments of the orchestra. From the beginning, music was something I recognized, named, and was drawn to instinctively.
As I grew up, I performed with the Sudbury Youth Orchestra, eventually serving as Concertmaster. By my mid-teens, I was also performing with the Sudbury Symphony Orchestra. These early experiences gave me my first real sense of ensemble performance, leadership, and the discipline of orchestral life.
I was accepted into the National Youth Orchestra of Canada, where I spent four summers performing with some of the most talented young musicians in the country. That experience confirmed that music wasn’t just something I studied—it was the environment I wanted to live in.
I initially began university studies in science, but quickly realized I missed orchestral life. I transferred into music studies, completing performance degrees in violin and viola, along with a degree in music history, followed by a Master’s degree in Viola Performance.
My professional career developed primarily as a violist. I performed, taught, and freelanced throughout Ontario for more than two decades, including seven years with the Gould String Quartet, then Quartet-in-Residence at the Niagara International Chamber Music Festival. I later became Principal Viola of the Kitchener-Waterloo Symphony, a position I held for fifteen years.
When the KWS ceased operations, I returned to freelance performing. During this time, I found myself increasingly drawn back to the violin—the instrument where my musical journey began. I began exploring new performance formats that blended classical training with modern backing tracks and contemporary repertoire.
I was a violinist throughout the 1990s before focusing on viola for much of my professional career. Returning to the violin felt like returning to the musician I was at the start of my journey. While I love performing music from the 1990s, my repertoire also includes modern pop, wedding favourites, classical works, and music across decades. The name reflects a full-circle musical journey rather than a single genre.